| Don't Touch That Dial! | | Print | |
| Written by Christina Hamlett |
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Could you tell a story from start to finish if you only had 60 seconds? How about 30 seconds? Impossible as that seems, TV and radio ads accomplish this 24/7.
Their goal is to sell a product or service to viewers and listeners in as little time as possible. Since money is a big factor, too, they need to meet their goal with a small cast and — in the case of TV — a small number of locations. The exercises in this month’s issue all revolve around commercials and how they can be used to better understand structure, pacing and character development in feature screenplays and shorts.
TABLE TOPICS 1. What is your favorite television commercial? What is the product being pitched? Who is the target demographic? 2. What’s the funniest commercial you’ve ever seen? What made you laugh? 3. What is your least favorite television commercial? What is it about this commercial that really annoys you? What would you do differently? 4. If a movie star or sports figure endorses a particular product, are you more likely to buy it than if the spokesperson was someone you didn’t recognize? Why or why not? 5. When was the last time you or your parents bought a product as a result of seeing it advertised on television? What was the product? Would this product have been purchased if it hadn’t been for the commercial that hyped it? 6. Have you ever watched a commercial in a foreign language? From a visual standpoint, what are some of the differences you observed between commercials made in
Establishing trust with your target audience is critical if you want to get them to open their wallets, open their hearts, or open their minds. Would you feel more comfortable, for instance, buying a vacuum cleaner from a total stranger or from the guy who actually invented a well known brand and believed in it enough to put his name on it? If you were going to invest in a pricey piece of exercise equipment for a home gym, would you trust a spokesperson in a cheap suit who was flabby and out of shape or someone like Chuck Norris?
Your assignment: The agent for the following fairy tale characters comes to you and is looking for a celebrity spokesperson gig for one of his clients. Fortunately, you have a lot of connections with advertisers who are seeking someone who can bring a unique – and credible – slant to what they want to sell. Choose one of these characters, identify a product for which he/she would be a perfect spokesperson, and write a 30-second (one page) commercial: · Rapunzel · The Frog Prince · Red Riding Hood · Rumpelstiltskin · Sleeping Beauty · The Big Bad Wolf · Cinderella · Goldilocks
Your assignment: Using the commercial you wrote in the previous exercise, identify (1) what TV show, network movie, or sports event your commercial should appear in, (2) who the target audience is for this particular program, and (3) why your commercial would be a great fit in this slot.
OPERATORS ARE STANDING BY TO TAKE YOUR CALL
Your assignment: Write a 60-second (2 page) infomercial script that hawks a fake product, features an over-the-top pitch person (the late Billy Mays is a good example), and a before-and-after demo. Note: Although your infomercial can take place in any era, you are only allowed to use one setting.
In the early 1990s, Taster’s Choice® launched what would become a successful series of coffee commercials that instantly stirred (no pun intended) the public’s attention. The 60-second increments featured the flirtatious attraction between two strangers who live in the same apartment building and who are brought together by circumstance: one of them needs to borrow coffee from the other. Audiences loved the concept of recurring characters whose mini love story nudged forward a few months at a time, always ending in some sort of cliffhanger. This approach to marketing was also embraced by Hallmark Cards®, Country Crock Margarine®, Budweiser® and others, providing viewers with entertaining station breaks that actually made them stay in the living room to see how the “stories” would come out.
Advertisers often use characters that are already familiar to viewers and place them in unexpected – and often humorous – scenarios. AT&T®, for example, portrays Hansel and Gretel as tiny tourists in the Big Apple who are blissfully unaware that pigeons are gobbling up the trail of breadcrumbs they’ve been dropping along the way. No worries. Gretel remembered to bring the GPS to get them safely home. In an ad for Snickers®, Henry VIII and Bacchus are on a road trip in a tiny car with friends and singing a chorus of Greensleeves. For a series of insurance ads, Geico® served up the incongruity of two articulate cavemen watching TV in their bachelor apartment, dining in fine restaurants, bowling, and participating in psychotherapy sessions.
Your assignment: An advertising agency has hired you to write a 60-second (2 page) commercial without any dialogue. Your characters are Darth Vader and Paris Hilton. The product is a window cleaner. RAISING SOCIAL CONSCIOUSNESS
Your assignment: Identify a social issue that you feel passionate about and design a 60-second (2 page) commercial to persuade your target demographic to make a contribution, cast a vote, or step up and volunteer. For instructors seeking ready-made commercial sketches for filming and video exercises, check out 20 TV Commercial Comedy Sketches and 20 More TV Commercial Comedy Sketches available through www.meriwetherpublishing.com. Sample ads include: “Never Bossed” (a GPS product to help you elude your supervisor), “Fancy Feet Fakers” (to help even the terminally klutzy dance like a ballroom star), “Hair Club for Werewolves” (the name says it all), and the amazing “Rotissaphone” (a must-have tool for the outdoor barbeque enthusiast).
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